
It’s
all kicking off on Friday. The hottest day of the year to date has seen helicopters dumping water supplies to jam-stranded
motorists on the M25, two tankers colliding in the Solent to disrupt ferry crossings, and 35,000 festival fans making the
journey almost half a million hippies made on a similarly steaming day back in 1970 – to the Isle Of Wight for the UK’s
oldest and original music festival.
And now The Prodigy are stepping up the chaos.
Having missed Morning Runner, The Rakes, Goldfrapp and Placebo
as the result of the congested eight hour journey from London, we can only assume they did a good job judging by the carnival
atmosphere that’s generated throughout the festival site, from the long winding thoroughfare linking the campsites all
the way down to the spread of smiles and sunburn illuminated by the dazzling lights of the main stage.
“This ain’t no funfair
shit”, roars Maxim as he surveys the backdrop of glowing fairground rides rising in the distance above the seething
throngs of the crowd as night sets in. Meanwhile Keith, a waterfall of sweat looking like Robbie Williams after a toxic
accident, gurns and prowls the planks as the key makers of modern dance music burst into the pummelling ‘No Good’.
Cue pandemonium as ‘Poison’ erupts like a jarring, paranoid bad dream, mayhem when the opening beats of ‘Smack
My Bitch Up’ rip through the humid evening air, and universal elation as set closer ‘Outta Space’ tears
the place up for the final time this Friday evening. It’s a greatest hits set that rarely varies from the formula set
out at last year’s round of festivals but even the usually sedate Liam, controlling it all from tardis-like rows of
computers at back, is up for it this time and The Prodigy consistently play
so well that you get the feeling they could headline for the next two nights and the crowd would still be happy.
Of course, though,
there’s plenty more firepower in the Isle Of Wight Festival’s arsenal, with this year’s lineup containing
easily the strongest set of headliners on show since the festival was revived in 2000, with Foo Fighters and Coldplay
still to come. However, Saturday afternoon is all about one thing – England versus Paraguay. The festival’s organisers
have made the strange decision not to show the match anywhere on the festival site and so morning is filled with a nervous
tension as tens of thousands plan their escape to see the most anticipated game at a festival since we went out to Portugal
at Glastonbury 2004. By midday, nearby Newport is at breaking point as an estimated 10,000 jostle for space in the town’s
pubs (which one source tells us has capacity for about a fifth of that number). Those lucky enough to have cars drive out
to other towns and villages on the island. England win. Many football fans at the festival clearly don’t.
With The
Kooks legging the site early to play their own after party at a local garlic farm, it’s left to Dirty
Pretty Things to soundtrack the perfect victory celebration as the cheering masses return, their bullish brand of
post-Libertines rock’n’roll causing a typically English riot of its own. Guitarist Anthony has grown in confidence
and gusto since joining The Libs during their Doherty-absent festival tour back in 2004 and provides the perfect foil for
the band’s central figure, Carl Barat, who struts and hair flicks his way through most of the band’s debut album,
ending on the ‘damn it, gonna be humming this all weekend’ hit ‘Bang Bang Your Dead’.